Review: ‘Twelfth Night’ @ RSC Royal Shakespeare Theatre

Filled with hilarity, unexpected gravity and musical mayhem, ‘Twelfth Night’ was a comedy treat at the RSC when I saw it on its final night in Stratford-upon-Avon.

With a backdrop in the Indian country of Illyria this time, it’s a colourful and loud performance which is what makes it brilliant and captivating. The RSC never does disappoint with sets and these were spectacular, my favourite being the garden ornaments used in the infamous box tree scene with Malvolio – with artwork baring its genitalia at you, you know exactly what’s going to happen but that doesn’t stop the inevitable from also being hysterical, especially in the hands (quite literally) of the bumbling Sir Andrew Aguecheek and the brash Sir Toby Belch!

Character-wise, it’s insanely difficult to pick a performance of the night. The cunning group of Maria, Sir Toby, Sir Andrew and Fabia (not a misspelling, Fabian loses his manhood in this performance!) were a real highlight and whilst the main plot was, of course, captivating, you couldn’t help but lean forward in anticipation when you saw the dastardly quartet re-enter the fray. However, if absolutely pushed to pick a favourite…Fabia, for being the absolute perfect foil to every single character she came across, and being hilarious in her own right of course!

Now, with every good comedy comes a divisive element – mine was the odd appearance of shouting. Sounds weird, was weird. Sir Toby’s sudden outburst at the box-tree plot which quickly snuffed out its hilarity, Feste’s hiss (literally) at Malvolio at the end, and other bits in-between – it just snuffed out some of the comedy in that moment, perhaps to intensify Malvolio’s tragedy (I’ve genuinely never felt sorry for him until this production) and to bring the rule-breaking of the twelfth night to a close. Maybe by purpose and design, but something was unsettling about it, but then shouldn’t Malvolio’s plot be just that for a modern-day audience?

However, this was a minor point in a major hit – I particularly love when Shakespearean productions don’t shy away from musical elements and the RSC never does, and they always have the most spectacular band on hand. Everything pulled together to make order from chaos and right from wrong in a wonderful version of a classic comedy. Sadly, this was the final performance, but who knows what might happen – after all, Hamlet’s been touring for almost a year now so Shakespeare is definitely a stuff that will endure, and if not…well there’s always next time!

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