I’m not afraid to admit that I’d lost a little faith in Sophie Kinsella following ‘Mini Shopaholic’ – I still haven’t plucked up the courage to try any more Shopaholics at least! However, ‘My Not-So-Perfect Life’ was half price at WH Smiths at a time when I was craving a good book, and I remembered my love of ‘Undomestic Goddess’, ‘Twenties Girl’ and the first three Shopaholics and thought ‘why not’?
And I was right to trust in those books!
Katie Brenner (definitely not Cat!) is one of my new favourite modern heroines, she’s trying to fit into a confusing world with her ambitions at her side and I loved her for it. She’s the most human character I’ve come across in a while, and it worked well against the few stereotypes used to sustain smaller characters, making them seem more realistic than just stock. It was like lifting the lid on what we all think: we need to appear to have it all together, when in actuality finding someone who does have everything in hand is rarer than a flying monkey. It linked to our social media lives without being cloying or preaching, and it was a relief to see someone finally admit that the thousand words behind a photograph might not necessarily be pleasant!
The plot wasn’t trying to be anything over-complicated, and again it was a pleasure for it. We’re so used to everything having tangents and sub-plots and subterfuge, it was refreshing to just be able to follow a (fairly) straight line. You never think about bullying coming from the bottom ranks to the top, so it was an interesting take on an old story, and watching Katie and Demeter, the big scary boss, become allied against this injustice was empowering. Everything was what it was, and that’s a rarity in modern fiction, and a delight.
Talking of Demeter, I liked how the big scaries of the company Cooper Clemmow (Demeter, Alex, even Adrian) weren’t overly imposing or difficult to comprehend; they were the big shots, but you were able to get them without feeling like they were deviating from their characters too wildly in order for them to be seen as humans, not robots in the machine. There was one bit in particular I really appreciated, and that was the small moment between Demeter and her husband; it wasn’t all a veneer, they did really care about one another, it was just as it is in real life – a bit chaotic at home! Kinsella’s wonderful at that though, remembering to keep her situations real and recognisable.
I think that’s what makes this book superb; it’s not trying to be profound or over-the-top, it’s just holding up a mirror to life in an attempt to make us remember it’s ok to be not-so-perfect all the time. In fact, if anything, its the imperfections that make us better – look at Demeter having to admit to her staff that she wasn’t as glossy as she projected at the end, where they liked her all the more for it! We could learn a lot from the Katie-Demeter combo – ambition is great, but reality can be better.